Waxin' & Milkin: A Visual Mixtape
Oct 04

Mick Fleetwood: Real hipsters wear Birkenstocks
photo by Richard E. Aaron

Mick Fleetwood: Real hipsters wear Birkenstocksphoto by Richard E. Aaron
  

Patti Smith and Lou Reed
photo by Richard E. Aaron
1976

Patti Smith and Lou Reedphoto by Richard E. Aaron1976
  

Angela Davis
photo by Michelle Vignes

via babylonfalling

Angela Davisphoto by Michelle Vignes
via babylonfalling
  
Oct 02

This is about right. I like how Julian Schnabel is under both but does not fall in the middle. The movie Basquiat is pretty awesome though.

via recherchersixbucksc-monster.net

This is about right. I like how Julian Schnabel is under both but does not fall in the middle. The movie Basquiat is pretty awesome though.
via rechercher / sixbucks / c-monster.net
  

EPMD Sample Map

via upnorthtrip / Ethan Hein

EPMD Sample Map
via upnorthtrip / Ethan Hein
  

CQ
Directed by Roman Coppola
2001

Angela Lindvall as Secret Agent Codename: Dragonfly

via threeframes

CQDirected by Roman Coppola2001
Angela Lindvall as Secret Agent Codename: Dragonfly
via threeframes
  

Hanna-Barbera Productions

Hanna-Barbera Productions
  

GOULET!

GOULET!
  

Wu-Tang Clan - Gravel Pit
2000

And there’s those cases when the stars align. Time-travelling elevators, Wu-Tang meets The Flintstones, rock quarry puns, Jurassic Park references, ninja swordsmen, mid-air wire fighting with Bokeem Woodbine (The Big Hit, people!). This all to a menacing RZA beat sampling bits of Enter The Dragon, James Brown, and obscure French TV show theme songs. Genius.

  
Oct 01

The Belated Party on Mansfield Mountain
by Jerome B. Thompson
1858

via weatherwax

The Belated Party on Mansfield Mountainby Jerome B. Thompson1858
via weatherwax
  
Tags: art painting 1858

The Booty Don’t Stop

via deaddesign

The Booty Don’t Stop
via deaddesign
  
Tags: mixtape booty

Stanley Kubrick’s Napoleon: The Greatest Movie Never Made
Edited by Alison Castle

Oh Taschen why do you like to empty my pockets? I already have Taschen/Alison Castle’s previous Stanley Kubrick Archives, which is epic in and of itself, chronicling his films through stills, behind-the-scenes photographs, documents, quotes, reviews, and an overall encyclopedia of all things Kubrick (if you haven’t seen this or picked it up, DO check it out). Now they, along with French design studio M/M (Paris) team up to create what they call, “the greatest book ever made about the greatest movie never made”.

To equal Kubrick’s grand vision of Napoleon (whom he envisioned either Jack Nicholson or Al Pacino to star in), the book itself is a massive 11.6” x 14.7” hardcover book representing a Napoleon biography, and is cutout inside to make room for 10 smaller books, all of which cover the abandoned film in great detail.

To really get an idea of the book’s brilliant design, watch Taschen’s feature HERE, as the photo doesn’t really do it justice.

As amazing as this all is, and I’m sure any and all Kubrick heads would love to put this up on their bookshelves and/or coffee tables, it’s only limited to 1,000 numbered copies and is going for a hefty $700.00. Not that this isn’t worth every penny but designers especially, gotta eat. Just sayin.

More info via Taschen

Stanley Kubrick’s Napoleon: The Greatest Movie Never MadeEdited by Alison Castle
Oh Taschen why do you like to empty my pockets? I already have Taschen/Alison Castle’s previous Stanley Kubrick Archives, which is epic in and of itself, chronicling his films through stills, behind-the-scenes photographs, documents, quotes, reviews, and an overall encyclopedia of all things Kubrick (if you haven’t seen this or picked it up, DO check it out). Now they, along with French design studio M/M (Paris) team up to create what they call, “the greatest book ever made about the greatest movie never made”.
To equal Kubrick’s grand vision of Napoleon (whom he envisioned either Jack Nicholson or Al Pacino to star in), the book itself is a massive 11.6” x 14.7” hardcover book representing a Napoleon biography, and is cutout inside to make room for 10 smaller books, all of which cover the abandoned film in great detail.
To really get an idea of the book’s brilliant design, watch Taschen’s feature HERE, as the photo doesn’t really do it justice.
As amazing as this all is, and I’m sure any and all Kubrick heads would love to put this up on their bookshelves and/or coffee tables, it’s only limited to 1,000 numbered copies and is going for a hefty $700.00. Not that this isn’t worth every penny but designers especially, gotta eat. Just sayin.
More info via Taschen
  

Type. A Visual History of Typefaces and Graphic Styles, Vol. 1
Edited by Cees W. de Jong, Alston W. Purvis, and Jan Tholenaar

Taschen just released this awesome book covering pre-20th century typography from 1628-1900. Type nerds all over should be drooling.

via Taschen

Type. A Visual History of Typefaces and Graphic Styles, Vol. 1Edited by Cees W. de Jong, Alston W. Purvis, and Jan Tholenaar
Taschen just released this awesome book covering pre-20th century typography from 1628-1900. Type nerds all over should be drooling.
via Taschen
  
Sep 30

Werner Herzog’s Rogue Film School

  1. The Rogue Film School will be in the form of weekend seminars held by Werner Herzog in person at varying locations and at infrequent intervals.

  2. The number of participants will be limited.

  3. Locations and dates will be announced on this website and Werner Herzog’s website: www.wernerherzog.com approximately 12 weeks in advance.

  4. The Rogue Film School will not teach anything technical related to film-making. For this purpose, please enroll at your local film school.

  5. The Rogue Film School is about a way of life. It is about a climate, the excitement that makes film possible. It will be about poetry, films, music, images, literature.

  6. The focus of the seminars will be a dialogue with Werner Herzog, in which the participants will have their voice with their projects, their questions, their aspirations.

  7. Excerpts of films will be discussed, which could include your submitted films; they may be shown and discussed as well. Depending on the materials, the attention will revolve around essential questions: how does music function in film? How do you narrate a story? (This will certainly depart from the brainless teachings of three-act-screenplays). How do you sensitize an audience? How is space created and understood by an audience? How do you produce and edit a film? How do you create illumination and an ecstasy of truth?

  8. Related, but more practical subjects, will be the art of lockpicking. Traveling on foot. The exhilaration of being shot at unsuccessfully. The athletic side of filmmaking. The creation of your own shooting permits. The neutralization of bureaucracy. Guerrilla tactics. Self reliance.

  9. Censorship will be enforced. There will be no talk of shamans, of yoga classes, nutritional values, herbal teas, discovering your Boundaries, and Inner Growth.

  10. Related, but more reflective, will be a reading list: if possible, read Virgil’s “Georgics”, read “Hemingway’s “The short happy life of Francis Macomber”, The Poetic Edda, translated by Lee M. Hollander (in particular the Prophecy of the Seeress), Bernal Diaz del Castillo “True History of the Conquest of New Spain”.

  11. Follow your vision. Form secretive Rogue Cells everywhere. At the same time, be not afraid of solitude.

Gah this is so pretentious and amazing all at once. Only way this could be better is if Klaus Kinski was still alive and in each seminar he would randomly show up and yell at everyone and choke out a guy. Oh I wish I had about $1500 right now to do this for real.

via Rogue Film School

Werner Herzog’s Rogue Film School


The Rogue Film School will be in the form of weekend seminars held by Werner Herzog in person at varying locations and at infrequent intervals.


The number of participants will be limited.


Locations and dates will be announced on this website and Werner Herzog’s website: www.wernerherzog.com approximately 12 weeks in advance.


The Rogue Film School will not teach anything technical related to film-making. For this purpose, please enroll at your local film school.


The Rogue Film School is about a way of life. It is about a climate, the excitement that makes film possible. It will be about poetry, films, music, images, literature.


The focus of the seminars will be a dialogue with Werner Herzog, in which the participants will have their voice with their projects, their questions, their aspirations.


Excerpts of films will be discussed, which could include your submitted films; they may be shown and discussed as well. Depending on the materials, the attention will revolve around essential questions: how does music function in film? How do you narrate a story? (This will certainly depart from the brainless teachings of three-act-screenplays). How do you sensitize an audience? How is space created and understood by an audience? How do you produce and edit a film? How do you create illumination and an ecstasy of truth?


Related, but more practical subjects, will be the art of lockpicking. Traveling on foot. The exhilaration of being shot at unsuccessfully. The athletic side of filmmaking. The creation of your own shooting permits. The neutralization of bureaucracy. Guerrilla tactics. Self reliance.


Censorship will be enforced. There will be no talk of shamans, of yoga classes, nutritional values, herbal teas, discovering your Boundaries, and Inner Growth.


Related, but more reflective, will be a reading list: if possible, read Virgil’s “Georgics”, read “Hemingway’s “The short happy life of Francis Macomber”, The Poetic Edda, translated by Lee M. Hollander (in particular the Prophecy of the Seeress), Bernal Diaz del Castillo “True History of the Conquest of New Spain”.

Follow your vision. Form secretive Rogue Cells everywhere. At the same time, be not afraid of solitude.

Gah this is so pretentious and amazing all at once. Only way this could be better is if Klaus Kinski was still alive and in each seminar he would randomly show up and yell at everyone and choke out a guy. Oh I wish I had about $1500 right now to do this for real.
via Rogue Film School
  

Fortune Cookie Truth

via Bread City

Fortune Cookie Truth
via Bread City